"banjo"


Filmography

Banjo (1947)
Himself

Photos & Videos

The Guilty Generation - Movie Posters
The Criminal Code - Movie Posters
The Criminal Code - Publicity Stills

Biography

Filmography

 

Cast (Feature Film)

Banjo (1947)
Himself

Life Events

Photo Collections

The Guilty Generation - Movie Posters
The Guilty Generation - Movie Posters
The Criminal Code - Movie Posters
The Criminal Code - Movie Posters
The Criminal Code - Publicity Stills
The Criminal Code - Publicity Stills
The Criminal Code - Scene Stills
The Criminal Code - Scene Stills

Videos

Movie Clip

Follow The Boys (1963) -- (Movie Clip) A Cheap Rolls-Royce Shooting pretty clearly on the waterfront in Cannes, Americans Liz and Bonnie (Janis Paige, Connie Francis) have just met, miffed because the ship carrying their men has been diverted to Italy, joined by French Michele (Dany Robin) and another yank Toni (Paula Prentiss), and improvising, early in Follow The Boys, 1963.
Follow The Boys (1963) -- (Movie Clip) It's An Italian Baby Stranded in an Italian village with car trouble (Eric Pohlmann their farmer host), aiming to meet the U.S. Navy ship carrying their beaus, French Michele (Dany Robin) and Americans Liz, Toni and Bonnie (Janis Paige, Paula Prentiss and Connie Francis, born Concetta Rosemarie Franconero, in Newark, NJ), pull together, in MGM’s Follow The Boys, 1963.
Blackmail (1939) -- (Movie Clip) White Or Whole Wheat? Oklahoma oil-rig fire fighter (Edward G. Robinson as John Ingram) returns home with his wife and son (Ruth Hussey, Bobs Watson) celebrating the opening of his own first well when he’s confronted by a drifter (Gene Lockhart as Ramey), who makes clear why he’s been sensitive about his past, in MGM’s Blackmail, 1939.
Blackmail (1939) -- (Movie Clip) Don't Use A Nasty Word Like That Oklahoma oil-rig fire fighter (Edward G. Robinson as John Ingram) returns home with his wife and son (Ruth Hussey, Bobs Watson) celebrating the opening of his own first well when he’s confronted by a drifter (Gene Lockhart as Ramey), who makes clear why he’s been sensitive about his past, in MGM’s Blackmail, 1939.
Haunted Honeymoon (1940) -- (Movie Clip) Rather Like Getting Off Dope Opening the feature made at MGM-British studios, Americans Robert Montgomery and Constance Cummings as about-to-be-wed Lord Peter Wimsey and novelist Harriet Vane, who played the same roles on Broadway (in the only play by the novelist Dorothy L. Sayers), swearing off amateur sleuthing, in Haunted Honeymoon, 1940.
Haunted Honeymoon (1940) -- (Movie Clip) We're Not Quite Joyous Enough At choir practice in the town where the leads (Robert Montgomery and Constance Cummings) will soon arrive, organist Aggie (Joan Kemp-Welch) rages as her fiancé Frank (Robert Newton) kanoodles with Polly (Googie Withers), as the reverend (Aubrey Mallalieu) conducts Puffett (Frank Pettingell) et al, in the Lord Peter Wimsey yarn Haunted Honeymoon, 1940.
Haunted Honeymoon (1940) -- (Movie Clip) A Trifle Uncharitable Headed back to London to escape the brewing murder mystery in the village where they’re honeymooning, Lord Peter and Harriet (Robert Montgomery, Constance Cummings), trying to break their amateur crime-solving habit, get entangled with London friend Inspector Kirk (Leslie Banks) and loyal butler Bunter (Sir Seymour Hicks), in Haunted Honeymoon, 1940.
Haunted Honeymoon (1940) -- (Movie Clip) Been Up To London? Introducing several characters, Eliot Makeham as estate agent Simpson, back from London, greeted by Frank Pettingwell as Puffett, then Robert Newton and Joan Kemp-Welch as fiancés Frank and Aggie, then Roy Emerton as her uncle Noakes (soon the murder victim!), in MGM’s Lord Peter Wimsey mystery, with Robert Montgomery and Constance Cummings, Haunted Honeymoon, 1940.
Eskimo (1933) -- (Movie Clip) A Strange Primeval Creed Opening from MGM and W.S. Van Dyke, a prologue playing on the director’s success with earlier exotic features (White Shadows In The South Seas, 1928, and Trader Horn, 1931), including an untrue claim about casting, but a graceful enough introduction of his leads, Ray Wise (here known as Ray “Mala,” his character’s name) and Lulu Wong Wing his wife, in Eskimo, 1933.
Eskimo (1933) -- (Movie Clip) Walrus Hunt Little adherence to the story, plus cruel slaughter, but some of the best, legitimate Northern Alaska on-location shooting, directed by W.S. Van Dyke and photographed by Clyde De Vinna, George Gordon Nogle, Leonard Smith and Josiah Roberts for MGM, plus some odd process shots, in the first picture ever to win a Best Film Editing Academy Award, Eskimo, 1933.
Eskimo (1933) -- (Movie Clip) One Has Been Wifeless Long? Probably horrible but a significant plot point, Alaskan-born Ray Wise, who became known as Ray “Mala,” the name of his character in this picture, meets a fellow hunter who’s lost his wife, and graciously offers his own (Lulu Wong Wing as Aba), everyone en route to meet the white-man’s ship, W.S. Van Dyke directing on location in Northern Alaska, in Eskimo, 1933.
Criminal Code, The (1931) -- (Movie Clip) Between Me And The Boys New warden Brady (Walter Huston) being awesome stepping into the yard,facing down inmate Tex (an un-credited actor), in Howard Hawks' The Criminal Code, 1931.

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Bibliography